There may not be a more experienced person to talk to about the aspect of screenwriting in all of Northwest Ohio than Dyrk Ashton.
Although the film's title suggests an up-to-date overview of America's ever-morphing swing scene, where couples go to swap sexual partners, Matthew Kaufman's and Jon Hart's by-the-numbers documentary sticks to the rise and fall of Larry Levenson's infamous New York swingers club Plato's Retreat (1977-1985).
What hath “Juno” wrought? That indie charmer seems like the spiritual forefather of “Away We Go,” director Sam Mendes’ attempt to tap that film’s breezy spirit. “Away We Go” even draws on a similar cartoon-style ad campaign as “Juno."
When it comes to writer/director Jim Jarmusch, it’s not really about the destination. It’s not really about the journey, either. It’s more about the little moments along the way. After all, life really doesn’t have a plot, no real through line, and it seems that Jarmusch sees no reason to impose that kind of device on his films.